A little planning, a few good songs and the right attitude can turn an ordinary rehearsal into a great one. Here’s how to make the most of your time together.
You’ve found some musicians, arranged a rehearsal and everybody’s looking forward to making some noise.
Brilliant!
But there’s a difference between getting a few musicians together in a room and having a rehearsal that actually achieves something.
We’ve all heard stories of bands spending two hours tuning guitars, discussing what songs to play and arguing about who turned the amplifier up.
Then, just as everything starts sounding good, somebody looks at the clock.
“Is that the time? We’ve got to pack up!”
Sound familiar?
The good news is that organising a productive rehearsal doesn’t mean turning your band into a military operation.
A little preparation can make a big difference, leaving more time for the important stuff: playing music and enjoying yourselves.
Here are a few tips to help your next rehearsal run smoothly.
One of the simplest ways to improve a rehearsal is to decide what you’re going to play before you arrive.
If everybody turns up with different ideas, you can easily spend the first half-hour debating song choices.
Instead, agree on a short list beforehand.
Perhaps you’re working on three new songs, polishing a couple of older numbers or preparing a set for an upcoming gig.
Share the list with everybody so they know what to expect.
A simple group message might say:
“Thursday’s rehearsal: let’s work on Brown Eyed Girl, Mustang Sally and Honky Tonk Women, then run through the five songs we played last week.”
Nothing complicated.
Everybody knows the plan, and you’ve already saved yourselves a chunk of rehearsal time.
Where you rehearse can make a big difference to how enjoyable the session is.
An established rehearsal studio is often a good choice, particularly for a new band.
Many studios provide drum kits, amplifiers, microphones and PA equipment, meaning you don’t have to transport quite so much gear.
Before booking, check what’s included.
Does the studio provide a bass amplifier? Are there microphone stands? Will the drummer need to bring cymbals and pedals?
It’s also worth considering the location.
If everybody lives in different towns, try to find somewhere reasonably convenient for the whole band.
And remember to check the price and agree on how you’ll split the cost.
Nobody enjoys discovering halfway through a rehearsal that they owe more money than expected.
Rehearsal time is valuable, especially when you’re paying for a room by the hour.
Try to arrive a little early, get your equipment set up and be ready to start at the agreed time.
If you need to change strings, update your pedalboard or sort out a dodgy guitar lead, it’s usually better to do that at home.
And if you’re running late, let everybody know.
A band doesn’t need to operate like a business, but a little consideration goes a long way.
After all, nobody wants to spend twenty minutes waiting for the drummer who’s apparently still looking for his car keys.
Here’s an important distinction.
Practising and rehearsing aren’t quite the same thing.
Practising is what you do on your own to learn your instrument, work out a song or improve your technique.
Rehearsing is what you do together to make the music work as a band.
If everybody arrives knowing their parts reasonably well, you’ll have much more time to work on arrangements, timing, dynamics and the overall sound.
Of course, nobody expects perfection.
Sometimes you’ll need to work through a tricky section together, especially when learning something new.
But if the guitarist is learning the chords for the first time while everybody else waits, things can become frustrating.
A little preparation at home makes rehearsals more enjoyable for everyone.
There’s nothing wrong with easing into a rehearsal.
Rather than launching straight into the most difficult new song, start with something everybody already knows.
It gives you a chance to warm up, settle into the room and get used to playing together again.
It can also help you check that the sound levels are sensible.
Once everybody’s comfortable, move on to the songs that need more attention.
And if you’re a new band, don’t worry if things sound a little rough at first.
It takes time for musicians to develop that natural understanding of how each other plays.
Ah yes, the great rehearsal room volume contest.
The guitarist turns up because they can’t hear themselves.
The bassist turns up to compete with the guitarist.
The drummer starts playing harder.
And before long, the singer is wondering whether anybody remembers there’s supposed to be a vocal in the song.
Sound familiar?
A good rehearsal isn’t about being the loudest musician in the room.
It’s about everybody being able to hear what they’re doing.
Start at a sensible volume and adjust things together.
Try positioning amplifiers so they’re pointing towards the musicians who need to hear them, rather than simply turning everything up.
And consider using proper musician’s earplugs to protect your hearing.
You want to be enjoying music for many years to come, not spending the next morning wondering why your ears are still ringing.
It’s tempting to keep playing the songs that already sound great.
They’re familiar, everybody knows their parts and they make the band feel good.
And there’s nothing wrong with that.
But if you’re trying to improve, it’s worth spending some time on the sections that aren’t quite working.
Maybe the ending is messy.
Perhaps the drummer and bassist aren’t locking together on a particular section.
Or the backing vocals need a little attention.
Rather than playing the entire song over and over, try working on the troublesome section by itself.
Slow it down if necessary, agree on what needs to happen and then put it back into the full arrangement.
Five minutes spent fixing a tricky ending can be more useful than playing the whole song badly another six times.
A band works best when everybody feels involved.
If somebody has an idea about an arrangement, a tempo or a different way of playing a section, give it a listen.
You don’t have to agree with every suggestion.
But dismissing ideas before they’ve been tried can quickly take the fun out of playing together.
Equally, try not to let one person dominate every conversation.
Even if somebody is taking the lead in organising the band, everyone should feel comfortable contributing.
Sometimes the quietest musician in the room comes up with the best idea.
And remember, constructive suggestions are much more useful than criticism.
“Could we try that chorus a little slower?” is far more helpful than “You’re playing it wrong.”
Rehearsals should be enjoyable.
If you’ve booked a two- or three-hour session, allow time for a short break.
Grab some water, have a chat and give your ears a rest.
It’s also a chance to get to know your fellow musicians.
You might end up talking about favourite records, memorable gigs or the truly dreadful bands you played in years ago.
Those conversations are part of what makes being in a band enjoyable.
Just try not to let a ten-minute break turn into forty-five minutes discussing the best guitar solo ever recorded.
Although, admittedly, that can be a very entertaining conversation.
You don’t need an expensive recording setup to hear how your band is progressing.
A simple recording on a phone can be surprisingly useful.
Listening back later often reveals things you don’t notice while you’re concentrating on playing.
Perhaps the tempo speeds up during the chorus.
Maybe the vocals are getting lost.
Or perhaps that new arrangement sounds much better than you realised.
Recordings can also help everybody remember changes you’ve agreed on.
Just make sure the other musicians are happy to be recorded and agree on whether anything will be shared outside the group.
Not every rehearsal recording needs to end up on social media!
Before everybody starts packing away their equipment, spend a couple of minutes discussing how the rehearsal went.
What worked well?
Which songs need more attention?
What should everybody practise before the next session?
And, importantly, when are you meeting again?
It’s much easier to arrange another rehearsal while everybody’s together than spend the following week exchanging twenty messages trying to find a suitable Thursday.
You might also want to agree on a few new songs to learn.
Keep it manageable.
Three songs everybody learns properly are better than fifteen songs nobody quite remembers.
It’s easy to become so focused on improving the band that you forget why you started playing together.
For most of us, it’s because we love music.
We enjoy the sound of instruments coming together, the satisfaction of finally getting a difficult song right and the friendships that develop along the way.
Not every rehearsal has to be perfectly organised.
Sometimes a spontaneous jam leads to a brilliant new arrangement or an original song nobody expected.
And sometimes you just want to play a few favourites and have a laugh.
That’s fine too.
The trick is finding the right balance between making progress and enjoying yourselves.
If you’re not sure how to organise your next session, here’s an example of how a two-hour rehearsal might work.
| Time | What to Do |
| First 15 minutes | Set up, tune up and get comfortable |
| Next 15 minutes | Warm up with familiar songs |
| Next 30 minutes | Work on two or three new songs |
| Next 10 minutes | Take a short break |
| Next 30 minutes | Fix tricky sections and arrangements |
| Final 20 minutes | Play through familiar material, discuss next steps and pack away |
Of course, this is just a guide.
If you’re preparing for a gig, you might spend more time running through the complete set.
If you’re a casual jam group, you might prefer a much more relaxed approach.
The best rehearsal plan is the one that works for your band.
A great band rehearsal doesn’t need military precision, expensive equipment or somebody standing in the corner with a clipboard.
It just needs a little preparation, good communication and musicians who enjoy playing together.
Agree on a few songs, arrive ready to play, listen to each other and don’t forget to have fun.
Because when everything starts to click, there’s nothing quite like it.
That moment when the drummer finds the groove, the bass locks in and everybody comes together on the chorus?
That’s why we do it.
And if you’re still looking for musicians to rehearse with, Up For A Jam is a good place to start.
Find people. Start a band. Play some gigs.